Poet Voice: Rei Tetsumachi AKA:光の怜 Rei of Light

Divine Feast

My God has only just been born

And already he’s gone to fat

My Goddess can scarce carry him

A wink before she needs a nap

But while she rests and shores her strength

A foul conspiracy unfolds

As demons stuff the baby’s face

With tasty treats to fluff his rolls

O how my Goddess now despairs

“‘Tis not yet spring and yet he weighs

As much as two full men compared

The consequences will be grave”

She thinks about the turning wheel

A year stuck fully in the mud

A God who cannot tend the fields

A Goddess who’ll bear no more sons

She seeks the counsel of the Fates

Who nodding take their measures stern

The demons had already paid

Them well for a blind eye’s return

“Naught’s wrong, there’s no need for alarm,”

The Fates say with fey grinning smirks

She drags my God home with numb arms

And hopeless weeps into the dirt

My Goddess wakes from restless sleep

And spots the shadows swirling ’round

No longer bothering to sneak

The demons confident and proud

Savor the pregnant moment’s pause

My Goddess and her infant son

Defenseless and so fully lost

Him full of fat for fangs to munch

They hold my Goddess down to see

Them tear apart my God to feed

While slurps and chewing mix with screams

The demons moan in ecstasy

Drinking up even the splatter

No fleck yet of my God remains

Satisfied, the demons scatter

Leaving my Goddess in a daze

My God is dead, he will not age

Nor will he be reborn again

To sate their appetites, exchanged

Gone so fast, our future with him

My Goddess doesn’t move or stir

Or blink or indicate a thought

She will sit still until the world

Has ceased and even then will not

Invest another speck or dot

Of energy to this dark plane

Where demons succeeded their plot

To devour her infant babe

Let all crops fail and weather sour

Let cancers spread and complicate

Not wrath but an indifference dour

Is all my Goddess has to trade

Three demons in a trenchcoat now

Pretend to be the one true god

Wiping the bloodstains off their mouths

Proclaiming a false doctrine flawed

But never will they get the taste

Of baby plump God from their minds

Obsessed and desperate, they will blame

Each other unable to find

Again that flavor sensation

For nothing will ever compare

They’ll go mad from the fixation

And kill each other in despair

– Rei Tetsumachi
AKA: 光の怜 Rei of Light 2025

In this interview, Rei Tetsumachi AKA: 光の怜 Rei of Light reflects on the themes and inspirations behind her poem, “Divine Feast.

Gabrielle: Did you have a particular message or theme in mind when you wrote this poem? If so, what was it?

Rei: So when I wrote it, I was thinking about the Trump inauguration. The baby God having just been born was a reference to the time of the year, the end of January. Yule, the winter solstice, is traditionally the death and rebirth of the horned God of neopaganism.

The demons fattening the baby God up for the slaughter was a metaphor for corruption and exploitation.
 
Gabrielle: Why did you choose to portray the God as an infant?
 
Rei: Because the God doesn’t come of age until May 1st, the Beltane festival

And it being that time of year, so the God still being an infant, is where I started, rather than starting with the metaphor.

Gabrielle: So when you say “A God who cannot tend the fields” Is this because he is an infant or because of something else?

Rei: She’s imagining that even when he’s come of age he won’t be able to move well for being so overweight.

Gabrielle: Shifting to the goddess, the line “She seeks the counsel of the Fates” Who are the Fates? What kind of counsel is she seeking?

Rei: The Fates are figures of Greek mythology, among others, though off the top of my head I can only think of the Norse equivalent, the Norns. They’re a trio of Goddesses who spin, measure, and cut the threads of mortal’s lives to determine their fates. She goes to them to try to find out why the God is gaining so much weight, not knowing that they’ve been paid off by the demons.

Gabrielle: The “pregnant moment’s pause” before the demons attack is so tense. What were you hoping to capture in that moment of dread?

Rei: That sense of unreality you feel when you don’t want to believe something is actually happening.

Gabrielle: Which elements of the political landscape at that time did you intend to symbolize through their “blind eye’s return”?

Rei: Oh, that’s 100% the role money plays in the current national and global political process. It represents how campaign donations and other forms of legislative financing has become the goal in and of itself for today’s politicians, rather than fighting for policies that actually help people. Instead, they sell their allegiances to the highest bidder.

Gabrielle: The demons’ ultimate descent into madness after consuming the God, despite their initial victory, suggests a self-destructive nature to their actions. How does this reflect your perception of the long-term consequences of the political events you were referencing?

Rei: All right wing policies and beliefs are inherently selfish and short-sighted, motivated by spite and cravings, and will always lead to eventual collapse.

Gabrielle: This is a powerful poem! Is there anything else you want the reader to take from it?

Rei: Thank you, I really appreciate you saying so. I suppose I would just want to stress how little this poem is exaggerating. We are past the point of no return on climate change, and populations all around the world are ignoring scientists and empowering governments to sweep evidence under the rug and continue subsidizing companies which rape the Earth. The despair in this poem is very real, and I hope it is sobering for those who read it.

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